New York Times Fashionさんのインスタグラム写真 - (New York Times FashionInstagram)「At couture shows in Paris this week, Thom Browne centered the gray suit, while Schiaparelli, Dior and Iris Van Herpen spun their own dreamy tales through clothing.  The shows began in the shadow of national unrest over the police killing of a teenager of Algerian and Moroccan descent that has sparked charges of racism and discrimination. For a while, there was a question about whether the collections would — or should — happen at all. That tension raised the bar for the shows that went on, writes The New York Times’s chief fashion critic, @vvfriedman, including Maria Grazia Chiuri’s @dior show and the @irisvanherpen show based on Oceanix, the floating city being planned for South Korea.  On Monday, @thombrowne made his couture debut. He effectively proposed that the gray suit deserved the same mythic status as the Chanel bouclé suit or the YSL Smoking or the Dior Bar. The show was an argument that American fashion deserves its place on the couture stage.  At @schiaparelli, Daniel Roseberry provided an exegesis on the virtue of dialogue: between art and fashion, past and present. It was one of his most relaxed, considered collections in seasons: black collars swirling around the shoulders of perfectly cut white coats; plush opera puffers and suits covered in mirrored mosaics.  Read the full review at the link in our bio. Photos by @simbarashecha; Sarah Meyssonnier/Reuters; Gio Staiano」7月6日 2時56分 - nytstyle

New York Times Fashionのインスタグラム(nytstyle) - 7月6日 02時56分


At couture shows in Paris this week, Thom Browne centered the gray suit, while Schiaparelli, Dior and Iris Van Herpen spun their own dreamy tales through clothing.

The shows began in the shadow of national unrest over the police killing of a teenager of Algerian and Moroccan descent that has sparked charges of racism and discrimination. For a while, there was a question about whether the collections would — or should — happen at all.
That tension raised the bar for the shows that went on, writes The New York Times’s chief fashion critic, @vvfriedman, including Maria Grazia Chiuri’s @クリスチャンディオール show and the @Iris Van Herpe show based on Oceanix, the floating city being planned for South Korea.

On Monday, @トム・ブラウン made his couture debut. He effectively proposed that the gray suit deserved the same mythic status as the Chanel bouclé suit or the YSL Smoking or the Dior Bar. The show was an argument that American fashion deserves its place on the couture stage.

At @スキャパレリ, Daniel Roseberry provided an exegesis on the virtue of dialogue: between art and fashion, past and present. It was one of his most relaxed, considered collections in seasons: black collars swirling around the shoulders of perfectly cut white coats; plush opera puffers and suits covered in mirrored mosaics.

Read the full review at the link in our bio. Photos by @simbarashecha; Sarah Meyssonnier/Reuters; Gio Staiano


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