テート・ギャラリーのインスタグラム(tate) - 2月13日 08時04分

‘The last image is from a Brothers Grimm fairytale, “Thorn Rose”, illustrated by Errol le Cain. The story is a version of sleeping beauty. It seems that folk tales follow the same patterns all over the world. Fairy tales and folk tales travel through speech in the oral tradition (like the idea of the lion travelled through images) and their main audience is children. When you encounter something from such a young age I think it informs the way you see the world - fairy tales are full of ideology both explicit and unconscious. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
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In folklore and in Freudian analysis, the forest is the wild realm of secrets, death - and some say femininity - where the fairytale hero goes to be tested. The forest is outside reason, outside cultivation; it is the dark of the unconscious or unacknowledged. Saint Jerome is often seen in the forest. In my work I wanted it to be, among other things, the “country of the sick” (as Susan Sontag described it) as seen from the “country of the well.”’
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- @jessedarling⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
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#ArtNow artist Jesse Darling is taking over our Instagram, exploring the inspiration behind their exhibition at Tate Britain — The Ballad of Saint Jerome. Free entry. Link in bio.
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Image credits:
Jesse Darling, The Ballad of Saint Jerome 2018, installation view, photographed by Tom Carter ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
Jesse Darling, Relics of the lion wound 2018, photographed by Tim Bowditch ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
Jesse Darling, Ascension device 2018, photographed by Tim Bowditch ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
Errol Le Cain, Illustration taken from ‘Thorn Rose’ by the Brothers Grimm

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