TIME Magazineのインスタグラム(time) - 11月24日 01時00分


"Trust no one—not even me—who tries to tell you Ridley Scott’s Napoleon is any good," writes TIME critic Stephanie Zacharek. "Good is perhaps not the word to use. Napoleon is a sprawl, a messy pageant, a little crazy and yet perhaps not crazy enough."

"Its color palette is both grand and muted, like a newly printed map distressed to fool you into thinking it’s an antique. It’s sometimes boring and pretentious and often a little silly, almost to the point—almost—of parody. But even with all its flaws tallied and noted like battlefield casualties, there’s still something mildly compelling about it. Maybe it’s just that Joaquin Phoenix makes for one genuinely weird-ass Napoleon."

Read the full review at the link in bio.

Photograph courtesy Sony


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