ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 4月14日 21時41分

Today, video is everywhere – on social media, it has given rise to innumerable new networks and connections between people, places and machines.  But video has also ushered in a seemingly limitless series of echo chambers, filter bubbles, disinformation, and noise.

In this age of video inundation, when we are all on camera all the time, artists propose ways of becoming invisible, even for a moment. They aim to find new publics and politics and forms of communion amid the noise—sending signals and, perhaps, transforming the world.

In “Double Quadruple Etcetera Etcetera I & II,” Sondra Perry uses video editing tools to create dazzling, shape-shifting figures that seem to dissolve in digital spaces, exploring the ways in which Blackness can be spectacularized, censored, or self-determined.

Learn more in the exhibition “Signals: How Video Transformed the World,” now on view at MoMA.

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Sondra Perry. “Double Quadruple Etcetera Etcetera I & II.” 2013. Two-channel high-definition video (color, silent). The Museum of Modern Art, New York. Acquired through the generosity of Lonti Ebers, Sarah Arison, The Lumpkin-Boccuzzi Family Collection, and The Modern Women's Fund. © 2023 Sondra Perry. Courtesy Sondra Perry and Bridget Donahue, NYC

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