トームさんのインスタグラム写真 - (トームInstagram)「#September11 #911 #twintowers #repost @templeofleaves In the summer of 1982, two acres of wheat were planted and harvested by artist Agnes Denes, two blocks from #WallStreet and the #WorldTradeCenter and facing the #StatueofLiberty via @studioshamshiri . #repost @tmagazine #AgnesDenes, the queen of Land Art, made one of New York’s greatest public art projects ever in 1982. Now, the world might be catching up with her. “Creativity and innovation is the answer in a troubled world to swing the pendulum. Be creative. Never stop. Creativity is hope,” Denes said recently at a news conference for the Shed (@theshedny) — the mammoth Hudson Yards arts space that is scheduled to open next year — where she will have a show in 2019. The artist's “Wheatfield — A Confrontation,” a two-acre wheat field that was planted in May 1982 on the landfill that would eventually become Battery Park City, was harvested that August and then disappeared forever from the site. Denes, too, would largely vanish from the city’s consciousness until 2015, when her work “The Living Pyramid,” a grassy ziggurat, popped up at the Socrates Sculpture Park in Queens. She has had exhibitions all over the world and shows at museums at Cornell University and in Santa Monica. Her show at the Shed in 2019 will be her first solo exhibition at a major New York institution. Why did it take so long? And how did a trailblazer like Denes, whose most flamboyant work was easily accessible to millions of New Yorkers, fade from view? Pictured: “Wheatfield – A Confrontation: Battery Park Landfill, Downtown Manhattan – With Artist in the field,” 1982, by John McGrail, courtesy @LeslieTonkonow Artworks + Projects. #artmadebywomen」9月11日 13時22分