スキャパレリさんのインスタグラム写真 - (スキャパレリInstagram)「Good luck horns, constellations, pearls and snakes. Despite the various stories and anecdotes about Schiaparelli’s surreal and all-embracing world, a magical area of Elsa's creativity remains a mystery. That of her relationship to jewelry. Bold, heavy and almost barbaric in construction, or refined and delicate, Schiaparelli only wore strictly personal jewelry pieces. The magical thoughts that inspired her choices will never to be revealed. Schiaparelli’s relationship with her most statement pieces is still defined by secrecy. The artist-couturière was highly sensitive to the meaning of numbers and symbols and wholeheartedly believed in underlying powers around the letter S. A large golden snake could often be found wrapped around her wrist. The moles on her left cheek became the foundation of the Schiaparelli constellation brooch. The trusted companion of Elsa's suits, as her astronomer uncle Giovanni revealed to her that these moles were an exact representation of the Big Bear constellation. Schiaparelli’s use of the double chain in her gold bracelets, usually composed of an oversized wide link and a full link one, has been a statement. Schiaparelli hardly separated herself from her bracelets, unless the special appearance was focused on the maxi horn collier, completely taking over her look with its talismanic touch. But Schiaparelli is never predictable, so within her private jewelry, we also have to mention the pearl necklace, held together by gigantic shell-shape clips. Together with the platinum-diamond cuff and the coordinated diamond black enamel and platinum ring, Schiaparelli wore the pearl necklace for the September 1933 Vogue portrait. Designed by Suzanne Belperron, these design pieces ran in all three Vogue editions-Paris, London, and New York. Along with a more classical twist, which is part of the all-embracing #espritSchiap. © All rights reserved」6月29日 22時46分