ブルックリン美術館のインスタグラム(brooklynmuseum) - 10月14日 04時49分

#CeciliaVicua’s Disappeared Quipu features projected images of textiles that Vicuña chose from the ancient Andean collections of @ブルックリン美術館 and @mfaboston—those from our collection are on view alongside the installation. ⇨ Spanning more than 1400 years, these garments illustrate the great weaving traditions of the Nasca (100–600), Wari (600–1000), Chimú (1100–1400), and Inca (1400–1532) cultures. Like the quipus, these textiles are a way of recording and conveying information. These works complement Vicuña’s installation by connecting the past to the present and honoring an important indigenous artistic tradition. #HHM⠀
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Installation view, Cecilia Vicuña: Disappeared Quipu, Brooklyn Museum, May 18, 2018 through November 25, 2018. ⇨ Wari artist. Tunic, 600–800. Southern Highlands, Peru ⇨ Inca artist. Miniature Mantle, 1400–1532. Southern Peru or Northern Chile ⇨ Inca artist. Miniature Belt, 1400–1532. Southern Peru or Northern Chile ⇨ Inca artist. Man’s Tunic, 1400–1532. Southern region, Peru ⇨ Inca artist. Miniature Mantle, 1400–1532. Southern Peru or Northern Chile ⇨ Wari artist. Miniature Tunic, 500–800. Peru ⇨ Inca artist. Man’s Tunic, 1400–1532. Southern Highlands, Peru ⇨ Inca artist. Miniature Mantle, 1400–1532. Southern Peru or Northern Chile ⇨ Nasca artist. Panel Converted to a Poncho, 100–200. South Coast, Peru #BrooklynMuseum #HispanicHeritageMonth

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