ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 8月23日 03時05分

“[I]t is the designer who must attempt to re-evaluate his role in the nightmare he has helped to conceive.” –Cristiano Toraldo di Francia, member of Superstudio
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Submitted by Rob (@giampietrorob), our director of design. What artwork embodies the world you want to live in? This month's staff picks are inspired by our current exhibitions “Bodys Isek Kingelez: City Dreams” and “Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980.” Explore more #MoMAcollection works that shape our visions of utopia at mo.ma/picks. #MoMApicks
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[Image details: Superstudio, Gian Piero Frassinelli, Alessandro Magris, Roberto Magris, Adolfo Natalini, Cristiano Toraldo di Francia, Alessandro Poli. “Supersurface, The Happy Island, project.” 1971. Ink, airbrush, graphite, and cut-and-pasted printed paper on paper. Given anonymously]

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