ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「"I think I see everything as a movie screen. When I paint, in a way, I’m painting scenes from a movie."  —Louise Bonnet  In a conversation published on “Gagosian Quarterly,” cultural critic Naomi Fry (@frynaomifry) joined Louise Bonnet (@louisebonnetstudio) on the occasion of “Louise Bonnet Selects,” a film program curated by the artist as part of a series copresented by Gagosian and Metrograph (@metrograph). The pair discuss how the protagonists of Bonnet’s seven selected films are ruled, betrayed, changed, or unsettled by their bodies. Follow the link in our bio to read more. ______________ #LouiseBonnet #Metrograph #GagosianQuarterly #Gagosian (1) Still from "The Brood" (1979), directed by David Cronenberg; (2) Still from "All That Jazz" (1979), directed by Bob Fosse. Photo: AJ Pics/Alamy Stock Photo; (3) Still from "A.I. Artificial Intelligence" (2001), directed by Steven Spielberg」7月22日 3時13分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 7月22日 03時13分


"I think I see everything as a movie screen. When I paint, in a way, I’m painting scenes from a movie."
—Louise Bonnet

In a conversation published on “Gagosian Quarterly,” cultural critic Naomi Fry (@frynaomifry) joined Louise Bonnet (@louisebonnetstudio) on the occasion of “Louise Bonnet Selects,” a film program curated by the artist as part of a series copresented by Gagosian and Metrograph (@metrograph). The pair discuss how the protagonists of Bonnet’s seven selected films are ruled, betrayed, changed, or unsettled by their bodies. Follow the link in our bio to read more.
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#LouiseBonnet #Metrograph #GagosianQuarterly #Gagosian
(1) Still from "The Brood" (1979), directed by David Cronenberg; (2) Still from "All That Jazz" (1979), directed by Bob Fosse. Photo: AJ Pics/Alamy Stock Photo; (3) Still from "A.I. Artificial Intelligence" (2001), directed by Steven Spielberg


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