ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#RichardArtschwager: "Rather than traditional canvas, Artschwager’s support of choice was Celotex, an antiquated fire-retardant building material made of sugarcane. He admired the insulation material’s variegated texture and characteristic patterns, which functioned to abstract his appropriated imagery. Muddled brushstrokes rendered forms without precise boundaries on the uneven surface, and the technique mimicked the blurred appearance of newsprint’s halftone-dot images on an enlarged scale." —Bob Monk and Maggie Dougherty  An exhibition of works by the late Richard Artschwager from a key period in his career, 1964 to 1987, is on view at Gagosian, Rome.   The early 1960s marked the beginning of Artschwager’s experiments with Celotex, a heavily textured compound board. He used this as a ground for his singular grisaille paintings, the waywardness of the industrial material obscuring his hand-drawn lines. Follow the link in our bio to read more about the artist’s work in a "Gagosian Quarterly" article or to schedule an appointment to visit the exhibition.  __________ #Gagosian #GagosianQuarterly Richard Artschwager, "AT&T Building in the Year 2000," 1987 © 2021 The Estate of Richard Artschwager/Artists Rights Society (ARS), New York. Photo: Julien Grémaud」2月16日 4時17分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 2月16日 04時17分


#RichardArtschwager: "Rather than traditional canvas, Artschwager’s support of choice was Celotex, an antiquated fire-retardant building material made of sugarcane. He admired the insulation material’s variegated texture and characteristic patterns, which functioned to abstract his appropriated imagery. Muddled brushstrokes rendered forms without precise boundaries on the uneven surface, and the technique mimicked the blurred appearance of newsprint’s halftone-dot images on an enlarged scale."
—Bob Monk and Maggie Dougherty

An exhibition of works by the late Richard Artschwager from a key period in his career, 1964 to 1987, is on view at Gagosian, Rome.

The early 1960s marked the beginning of Artschwager’s experiments with Celotex, a heavily textured compound board. He used this as a ground for his singular grisaille paintings, the waywardness of the industrial material obscuring his hand-drawn lines. Follow the link in our bio to read more about the artist’s work in a "Gagosian Quarterly" article or to schedule an appointment to visit the exhibition.
__________
#Gagosian #GagosianQuarterly
Richard Artschwager, "AT&T Building in the Year 2000," 1987 © 2021 The Estate of Richard Artschwager/Artists Rights Society (ARS), New York. Photo: Julien Grémaud


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