トームさんのインスタグラム写真 - (トームInstagram)「#HappyBirthday to one of my heroes #ArundathiRoy who is 59 today! Here she holds her new book of essays #AZADI : Freedom : Fascism : Fiction  . “... Arundhati Roy’s literary career has been one of a kind. Thrust into the limelight of the global publishing industry back in 1997 when her debut novel, The God of Small Things, won an advance of half a million pounds and then the Booker prize, she might have gone on to become a household name of cosmopolitan novel writing in the way that Salman Rushdie and Kazuo Ishiguro had in the decades before.... . Instead, she steered clear of the form altogether for the next 20 years (until the 2017 publication of her follow-up novel, The Ministry of Utmost Happiness), devoting her attention and profile in the meantime to prose nonfiction that has energetically uncovered skeletons in the closet of India’s economic growth story: the nuclear arms race with Pakistan; the thousands of indigenous people displaced by the Narmada dam project; the Maoist insurrection across the country’s tribal heartlands; and the issue of Kashmir’s longstanding and brutal military occupation. No stranger to controversy, this choice of subject matter, poking around in the hinterlands and shadowlands of 21st-century India, has kept her on a path of constant collision with the establishment at home. Roy’s engagement with Kashmir in particular, including her explicit support for Kashmiri separatism, for example, led to her being accused of sedition in 2010. In spite of what she describes in Azadi, her latest collection of essays, as an atmosphere of “continuous, unceasing threat”, Roy has refused to back down and this volume, which takes its title from the Urdu word for “freedom” – azadi is the chant of Kashmiri protesters against the Indian government – serves to keep the Kashmiri situation in the minds of her global readership. .  “What India has done in Kashmir over the last 30 years,” she writes in the essay The Silence Is the Loudest Sound, “is unforgivable. An estimated 70,000 people – civilians, militants and security forces – have been killed in the conflict. Thousands have been ‘disappeared’, and tens of thousands have passed through torture...”」11月25日 0時01分 - tomenyc

トームのインスタグラム(tomenyc) - 11月25日 00時01分


#HappyBirthday to one of my heroes #ArundathiRoy who is 59 today! Here she holds her new book of essays #AZADI : Freedom : Fascism : Fiction
.
“... Arundhati Roy’s literary career has been one of a kind. Thrust into the limelight of the global publishing industry back in 1997 when her debut novel, The God of Small Things, won an advance of half a million pounds and then the Booker prize, she might have gone on to become a household name of cosmopolitan novel writing in the way that Salman Rushdie and Kazuo Ishiguro had in the decades before....
. Instead, she steered clear of the form altogether for the next 20 years (until the 2017 publication of her follow-up novel, The Ministry of Utmost Happiness), devoting her attention and profile in the meantime to prose nonfiction that has energetically uncovered skeletons in the closet of India’s economic growth story: the nuclear arms race with Pakistan; the thousands of indigenous people displaced by the Narmada dam project; the Maoist insurrection across the country’s tribal heartlands; and the issue of Kashmir’s longstanding and brutal military occupation.
No stranger to controversy, this choice of subject matter, poking around in the hinterlands and shadowlands of 21st-century India, has kept her on a path of constant collision with the establishment at home. Roy’s engagement with Kashmir in particular, including her explicit support for Kashmiri separatism, for example, led to her being accused of sedition in 2010.
In spite of what she describes in Azadi, her latest collection of essays, as an atmosphere of “continuous, unceasing threat”, Roy has refused to back down and this volume, which takes its title from the Urdu word for “freedom” – azadi is the chant of Kashmiri protesters against the Indian government – serves to keep the Kashmiri situation in the minds of her global readership.
.

“What India has done in Kashmir over the last 30 years,” she writes in the essay The Silence Is the Loudest Sound, “is unforgivable. An estimated 70,000 people – civilians, militants and security forces – have been killed in the conflict. Thousands have been ‘disappeared’, and tens of thousands have passed through torture...”


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2020/11/25

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