ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#GagosianQuarterly: "Isabelle Waldberg explored the eroticism engendered by the polarity between figuration and abstraction. Occasional intimations of violence betray her formation as an artist between two catastrophic wars." —Jacquelynn Baas  In a piece for "Gagosian Quarterly," Jacquelynn Baas profiles Isabelle Waldberg, writing on the sculptor’s many friendships and the influence of her singular creations. Follow the link in our bio to read the article. _________ #IsabelleWaldberg #Gagosian (1) Isabelle Waldberg, with “Construction” (1943), in her studio, New York, 1943. Photo: H. Brammer; (2) Isabelle Waldberg’s studio on rue d’Orsel, Paris, c. 1960. Photo: Michel Waldberg, courtesy Corinne Waldberg. Images: Michel Waldberg’s "Isabelle Waldberg" (Paris: Éditions de la Différence, 1992)」9月21日 19時31分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 9月21日 19時31分


#GagosianQuarterly: "Isabelle Waldberg explored the eroticism engendered by the polarity between figuration and abstraction. Occasional intimations of violence betray her formation as an artist between two catastrophic wars."
—Jacquelynn Baas

In a piece for "Gagosian Quarterly," Jacquelynn Baas profiles Isabelle Waldberg, writing on the sculptor’s many friendships and the influence of her singular creations. Follow the link in our bio to read the article.
_________
#IsabelleWaldberg #Gagosian
(1) Isabelle Waldberg, with “Construction” (1943), in her studio, New York, 1943. Photo: H. Brammer; (2) Isabelle Waldberg’s studio on rue d’Orsel, Paris, c. 1960. Photo: Michel Waldberg, courtesy Corinne Waldberg. Images: Michel Waldberg’s "Isabelle Waldberg" (Paris: Éditions de la Différence, 1992)


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