ニュー・ミュージアム・オブ・コンテンポラリー・アートさんのインスタグラム写真 - (ニュー・ミュージアム・オブ・コンテンポラリー・アートInstagram)「Reopening on September 15: “Daiga Grantina: What Eats Around Itself” in our lobby gallery 🌿 . Grantina’s sculptures also draw from the lyricism of poet Rainer Maria Rilke and his profound interest in the rose, which he viewed as an emblem of promise, possibility, and the power of art to give life deeper meaning. On his gravestone, Rilke’s self-composed epitaph reads, “Rose, oh pure contradiction, desire / to be no one’s sleep under so many / lids.” The central forms in Grantina’s installation resemble both rose petals and eyelids, evoking Rilke’s manifold interpretations of the flower as a conduit between vitality and sleep, life and death.」9月5日 2時59分 - newmuseum

ニュー・ミュージアム・オブ・コンテンポラリー・アートのインスタグラム(newmuseum) - 9月5日 02時59分


Reopening on September 15: “Daiga Grantina: What Eats Around Itself” in our lobby gallery 🌿
.
Grantina’s sculptures also draw from the lyricism of poet Rainer Maria Rilke and his profound interest in the rose, which he viewed as an emblem of promise, possibility, and the power of art to give life deeper meaning. On his gravestone, Rilke’s self-composed epitaph reads, “Rose, oh pure contradiction, desire / to be no one’s sleep under so many / lids.” The central forms in Grantina’s installation resemble both rose petals and eyelids, evoking Rilke’s manifold interpretations of the flower as a conduit between vitality and sleep, life and death.


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