ブルックリン美術館さんのインスタグラム写真 - (ブルックリン美術館Instagram)「The egúngún masquerade tradition, practiced by the Yorùbá people of West Africa and their diasporic descendents, connects the living to their ancestors. Head to link in bio for a free teaching resource designed to help students and adults begin their conversations about egúngún traditions and masquerade in the African diaspora. Teaching from this work, we also draw connections to student's lives here in Brooklyn; how we remember our ancestors in our own communities; and why we all rely on daily versions of masquerade to transform into something or someone else. ⁠⠀ ⁠⠀ - Stacey Kahn, School Partnership Coordinator/Senior Museum Educator  #bkmeducation  Yorùbá. Egúngún Masquerade Dance Costume (paka egúngún), ca. 1920-1948. Cotton, wool, wood, silk, synthetic textiles (including viscose rayon and acetate), indigo, and aluminum. #BrooklynMuseum, Gift of Sam Hilu, 1998.125. #BKMAfricanarts」8月23日 22時19分 - brooklynmuseum

ブルックリン美術館のインスタグラム(brooklynmuseum) - 8月23日 22時19分


The egúngún masquerade tradition, practiced by the Yorùbá people of West Africa and their diasporic descendents, connects the living to their ancestors. Head to link in bio for a free teaching resource designed to help students and adults begin their conversations about egúngún traditions and masquerade in the African diaspora. Teaching from this work, we also draw connections to student's lives here in Brooklyn; how we remember our ancestors in our own communities; and why we all rely on daily versions of masquerade to transform into something or someone else. ⁠⠀
⁠⠀
- Stacey Kahn, School Partnership Coordinator/Senior Museum Educator #bkmeducation Yorùbá. Egúngún Masquerade Dance Costume (paka egúngún), ca. 1920-1948. Cotton, wool, wood, silk, synthetic textiles (including viscose rayon and acetate), indigo, and aluminum. #BrooklynMuseum, Gift of Sam Hilu, 1998.125. #BKMAfricanarts


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