ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#GagosianQuarterly: In a piece for "Gagosian Quarterly," Megan N. Liberty explores artists’ engagement with notebooks and diaries, thinking through the various meanings that arise when these private ledgers become public. Follow the link in our bio for more.  This week, we’re sharing a selection of articles from "Gagosian Quarterly" on books and publications. Stay tuned for more! __________ #Gagosian From top to bottom: "Brice Marden: Sketchbook" (Gagosian, 2019); "Lee Lozano: Notebooks 1967–70" (Primary Information, 2010); "Stanley Whitney: Sketchbook" (Lisson Gallery, 2018); Kara Walker: MCMXCIX (Roma, 2017); "Louis Fratino, Sept. ’18–Jan. ’19" (Sikkema Jenkins & Co., 2019); "Jean-Michel Basquiat: The Notebooks" (Princeton University Press, 2015); "Keith Haring Journals" (Penguin Classics Deluxe Edition, 2010). Photo: Carey MacArthur」8月18日 2時06分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 8月18日 02時06分


#GagosianQuarterly: In a piece for "Gagosian Quarterly," Megan N. Liberty explores artists’ engagement with notebooks and diaries, thinking through the various meanings that arise when these private ledgers become public. Follow the link in our bio for more.

This week, we’re sharing a selection of articles from "Gagosian Quarterly" on books and publications. Stay tuned for more!
__________
#Gagosian
From top to bottom: "Brice Marden: Sketchbook" (Gagosian, 2019); "Lee Lozano: Notebooks 1967–70" (Primary Information, 2010); "Stanley Whitney: Sketchbook" (Lisson Gallery, 2018); Kara Walker: MCMXCIX (Roma, 2017); "Louis Fratino, Sept. ’18–Jan. ’19" (Sikkema Jenkins & Co., 2019); "Jean-Michel Basquiat: The Notebooks" (Princeton University Press, 2015); "Keith Haring Journals" (Penguin Classics Deluxe Edition, 2010). Photo: Carey MacArthur


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