ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 8月8日 23時54分
Like many of his contemporaries, #LeopoldSurvage, a Russian artist working in avant-garde circles in Paris, understood abstraction as a challenge to traditional art.
Yet, “An immobile abstract form does not do much of anything,” he declared in the poet and critic Guillaume #Apollinaire’s journal Les Soirees de Paris.
To “animate” his paintings, Survage prepared sheet after sheet of watercolors to create an abstract color film.
At the time, such a project was on the edge of technological possibility, and the film was never realized. Even so, Survage’s serial watercolors, with each image imagined as one frame in a continuous animation, introduce the dimension of time and rhythm to their colored forms.
See all 59 studies for “Colored Rhythm” at the link in our bio.
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[Léopold Survage. “Colored Rhythm: 59 studies for the film.” 1913. Watercolor and ink on paper on black paper-faced board. © 2020 Léopold Survage / Artists Rights Society (ARS), New York / ADAGP, Paris] #MoMACollection
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