ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 7月13日 01時15分


For this dazzlingly colorful work, Sonia Delaunay-Terk transformed the traditional handheld book into a nearly seven-foot-long object that unfolds accordion-style with text and illustrations seen all at once. When the work is folded up, almost like a map, it tucks into a small parchment cover hand-painted by the artist.

A poem by Delaunay-Terk’s collaborator, modernist poet Blaise Cendrars, appears on the right, while the artist’s geometries cascade down the left. They called this “the first simultaneous book.” This reference to Simultanism, a new movement that Delaunay-Terk and her husband Robert Delaunay were pioneering in Paris, connected the work’s visual impact to the thrilling simultaneity of modern life—the fast-paced, consciousness altering dynamism brought about by innovations in transportation and communication.

At the link in our bio, discover more surprising artworks from our collection in our book, MoMA Now.
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[Sonia Delaunay-Terk. “La Prose du Transsibérien et de la Petite Jehanne de France.” (Prose of the Trans-Siberian and of Little Joan of France). 1913. Text by Blaise Cendrars (Frédéric Sauser). Illustrated book with pochoir and hand-painted parchment wrapper. Photo by Jonathan Muzikar] #SoniaDelaunay #MoMACollection #bookarts


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