メトロポリタン美術館のインスタグラム(metmuseum) - 5月30日 06時43分
"I am a man of substance, of flesh and bone, fiber and liquids—and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me."
In his series of four prints, @GlennLigon highlights and obscures passages from Zora Neale Hurston’s 1928 essay "How it Feels to Be Colored Me" and Ralph Ellison’s 1952 novel "Invisible Man."
Dense layers and deliberate smudges visualize themes of legibility and illegibility, prominence and erasure, and blackness and whiteness.
In the viewer's efforts to read the texts, Ligon mirrors the struggles of black Americans to claim agency and voice in white America—an all-too-relevant message today.
🎨 Glenn Ligon (American, born 1960). Untitled: Four Etchings, 1992. Portfolio of 4 etchings, edition 7/45. © Glenn Ligon. #MetModern
[Image descriptions: Four prints with repeating text; two are black text on white paper, two are black text on black paper.]
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