メトロポリタン美術館さんのインスタグラム写真 - (メトロポリタン美術館Instagram)「"I am a man of substance, of flesh and bone, fiber and liquids—and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me."⁣⁣ ⁣⁣ In his series of four prints, @GlennLigon highlights and obscures passages from Zora Neale Hurston’s 1928 essay "How it Feels to Be Colored Me" and Ralph Ellison’s 1952 novel "Invisible Man." ⁣⁣ ⁣⁣ Dense layers and deliberate smudges visualize themes of legibility and illegibility, prominence and erasure, and blackness and whiteness. ⁣⁣ ⁣⁣ In the viewer's efforts to read the texts, Ligon mirrors the struggles of black Americans to claim agency and voice in white America—an all-too-relevant message today.⁣⁣ ⁣⁣ 🎨 Glenn Ligon (American, born 1960). Untitled: Four Etchings, 1992. Portfolio of 4 etchings, edition 7/45. © Glenn Ligon. #MetModern⁣⁣ ⁣⁣ [Image descriptions: Four prints with repeating text; two are black text on white paper, two are black text on black paper.]」5月30日 6時43分 - metmuseum

メトロポリタン美術館のインスタグラム(metmuseum) - 5月30日 06時43分


"I am a man of substance, of flesh and bone, fiber and liquids—and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me."⁣⁣
⁣⁣
In his series of four prints, @GlennLigon highlights and obscures passages from Zora Neale Hurston’s 1928 essay "How it Feels to Be Colored Me" and Ralph Ellison’s 1952 novel "Invisible Man." ⁣⁣
⁣⁣
Dense layers and deliberate smudges visualize themes of legibility and illegibility, prominence and erasure, and blackness and whiteness. ⁣⁣
⁣⁣
In the viewer's efforts to read the texts, Ligon mirrors the struggles of black Americans to claim agency and voice in white America—an all-too-relevant message today.⁣⁣
⁣⁣
🎨 Glenn Ligon (American, born 1960). Untitled: Four Etchings, 1992. Portfolio of 4 etchings, edition 7/45. © Glenn Ligon. #MetModern⁣⁣
⁣⁣
[Image descriptions: Four prints with repeating text; two are black text on white paper, two are black text on black paper.]


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