ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 4月25日 02時19分

The igloo was a signature structure in #MarioMerz’s art from 1969 until 2003, the year of his death. He saw it as “the ideal organic shape,” “both a world and a small house.” In addition to drawing inspiration from the simplicity of Minimal art and incorporating natural materials alongside the industrial ones, Merz was interested in using systems as strategy to guide his designs. A segment of the Fibonacci sequence—a potentially infinite series in which each number is the sum of the two numbers preceding it—appears in neon in this work, as both a tribute to Fibonacci, the thirteenth-century Italian mathematician and monk who introduced it to Europe, and a means of uniting nature and culture.
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Don’t miss the final weeks of #TheLongRunMoMA—a celebration of innovation sustained late into artists’ careers. More at mo.ma/thelongrun
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[Mario Merz. “Places with No Street.” 1987. Aluminum, wire mesh, stones, twigs, neon tubing, and wires. Sid R. Bass Fund and Enid A. Haupt Fund. © 2019/ Artists Rights Society (ARS), New York / SIAE, Rome]

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