メトロポリタン美術館のインスタグラム(metmuseum) - 4月23日 00時46分

On Easter Monday, a look at Willem de Kooning’s painting of the same name, of course! Named for the day he completed it in 1956, #EasterMonday is the largest of ten monumental works de Kooning exhibited that spring. Critic Thomas Hess likened the group to "abstract urban landscapes," and Easter Monday does seem to reference the whirling pace and gritty detritus of the modern city. A tour de force of de Kooning’s gestural style, the work appears to be in simultaneous processes of creation and destruction, a perpetual state of both realization and erasure that finds some analogy in the continuous growth and decay of nature. ⠀
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🎨 Willem #deKooning (American, 1904–1997). Easter Monday, 1955–56. Oil and newspaper transfer on canvas. © 2019 Artists Rights Society (ARS), New York. #TheMet #MetEpicAbstraction #MetModern

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