Vogueのインスタグラム(voguemagazine) - 3月15日 04時51分


In our April issue, the women we have assembled, including @brunamarquezine (above), live in places like Berlin, Seoul, and Shanghai. They are massively famous in their home countries, and, in many cases, well on their way to that kind of fame in countries we more typically think of as entertainment powerhouses. But bringing them together is not intended to make a statement about crossing over from the periphery to the center; it is about the new center, which is everywhere and nowhere at once.

Travel is easier and cheaper than it once was; films and TV shows from around the world are accessible in an instant. Netflix alone currently offers about 35 foreign-language shows that will stream straight to your laptop, and plans to host up to 100. Broadway is a testing ground for the West End, and vice versa, with Sydney and Melbourne not infrequently triangulating the transatlantic (and transpacific) theater trade. Social media make a certain kind of fame unrestricted, cut loose from subway posters or network television. We live in global times, and these are the faces of the new world order. Tap the link in our bio to read the full cover story. Photographed by @mikaeljansson, styled by #CamillaNickerson, written by Gaby Wood, Vogue, April 2019


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