ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 11月2日 02時53分

“That not everyone can get in but can (attempt to) watch is important. It’s a moral dilemma that gives weight to the whole” –#BruceNauman on “Kassel Corridor: Elliptical Space” (1972), now on view for the first time in New York at MoMA.
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Whether making viewers decide whether to watch or be watched or vanishing the binaries of moral clarity, as seen in “Seven Virtues/Seven Vices,” now on view at @MoMAPS1, Nauman’s work erases all forms of certainty, requiring us to craft our own meanings rather than adhere to established rules.
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[1 & 2] Installation view, “Kassel Corridor: Elliptical Space” (1972) in "Bruce Nauman: Disappearing Acts" at MoMA, New York (October 21, 2018–February 25, 2019, at MoMA and MoMA PS1). © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo: Martin Seck
[3] Bruce Nauman. “Seven Virtues/Seven Vices.” 1983-84. Limestone, in seven parts. Gift of Edward R. Broida. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York

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