ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 8月14日 03時02分

“I designed these projects as if they had been proposed by someone else—someone far removed from the trajectory of thought concerned with the city...the city has, up to now, only projected...the insane, sick, dangerous and aggressive idea that men must live only to work and must work to produce and then consume.” –Ettore Sottsass
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What artwork embodies the world you want to live in? Andrew (@gardnerae), curatorial assistant in our Department of Architecture & Design, chose Italian architect and designer Ettore Sottsass’s fantastical, technological world designed for human pleasure. This month's staff picks are inspired by our current exhibitions “Bodys Isek Kingelez: City Dreams” and “Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980”. Explore #MoMAcollection works that shape our visions of utopia at mo.ma/picks. #MoMApicks
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[Artwork details: Ettore Sottsass. “The Planet as Festival: Study for Rafts for Listening to Chamber Music, project (Perspective).” 1972–1973. Graphite on paper. Gift of The Howard Gilman Foundation. © 2018 Ettore Sottsass]

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