フィラデルフィア美術館のインスタグラム(philamuseum) - 2月24日 04時00分

#DoxThrash celebrated the strength and beauty of African Americans at a time when most of the world did not. In 1937, while working with the Works Progress Administration’s Federal Art Project, he developed an innovative printmaking technique known today as carborundum mezzotint. Thrash originally called it the “Opheliagraph,” after his late mother. Using this process, he was able to capture stunning, sensitive portraits in a broad tonal range that demonstrated the complexities found in everyday black life. #BlackHistoryMonth
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“Mary Lou (or Marylou),” c. 1939–40, by Dox Thrash. “Second Thought (My Neighbor),” c. 1939, by Dox Thrash. “Sunday Morning,” c. 1939, by Dox Thrash. “Grinding (or Grinder),” c. 1940, by Dox Thrash. “Saturday Night,” c. 1942–45, by Dox Thrash. “Charlie,” c. 1941, by Dox Thrash.

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