ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 12月27日 05時05分

Grappling with the turbulence of the 1960s, #PhilipGuston asked himself, “what kind of a man am I, sitting at home, reading magazines, going into a frustrated fury about everything—and then going into my studio to adjust a red to a blue?” In 1968, after nearly two decades painting abstractly, Guston introduced figures into his work. His new paintings were scathing and satirical, often addressing current events.
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#TheLongRunMoMA showcases daring invention sustained by artists long into their careers. Learn more at mo.ma/thelongrun (bio)
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Images:
[1-2] Philip Guston. “Edge of Town.” 1969. Oil on canvas. Gift of Edward R. Broida. © 2017 The Estate of Philip Guston
[3] Philip Guston. “Head.” 1977. Oil on canvas. Musa Guston Bequest. © 2017 The Estate of Philip Guston
[4] Philip Guston. “Source.” 1976. Oil on canvas. Gift of Edward R. Broida in honor of Uncle Sidney Feldman. © 2017 The Estate of Philip Guston

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