ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 7月20日 23時54分

For “The Photographer’s Eye,” John Szarkowski, director of MoMA’s Department of Photography, selected works by more than 100 photographers, ranging from early 19th-century masters such as Eugène Atget to recent work by younger photographers like Lee Friedlander. In his introduction to the catalogue, Szarkowski wrote that "The Photographer’s Eye" was “an investigation of what photographs look like, and of why they look that way.” The exhibition thus sought to evaluate the ways in which photography had changed, or stayed the same, since its invention. It was divided into five sections, each one emphasizing a central aspect of photographic language; Szarkowski called these “The Thing Itself,” “The Detail,” “The Frame,” “Time Exposure,” and “Vantage Point.” The exhibition was part of a larger series presented in the summer of 1964 called Art in a Changing World: 1884–1964, staged to celebrate MoMA’s 35th anniversary and inaugurate its newly renovated building at 11 West 53 Street.
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See the press releases, images of the installation, and more at mo.ma/52exhibitions. 45 of #52exhibitions #MoMAhistory #tbt

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